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Indian products Versus Foreign products...who gives you the best deal ?

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jsa_ind
Stammgast
#1 erstellt: 01. Jun 2005, 22:09
Hi All,

I have taken the liberty of quoting all of your inputs in a separate thread....I hope I don't get stoned to death because of this....I just thought the discussions were worth a separate thread and Neutral does not feel we hijacked his original thread !

Big Ears mentioned, that the quality of components used in most Indian manufactured items leaves a lot to be desired....judge for yourselves guys open an Indian pre or integrated amplifier and most likely you will see an open ended Pankaj potmeter...initially everything will work fine until a little dust enters in, then you have screeching & squalling as you operate the controls....open an average foreign pre or integrated amplifier and you will see a sealed Alps potmeter....

Take a transformer for example due to the mandatory CE, UL etc electrical regulations among a host of other stringent electrical specifications, the insulation on the transformer has to be of a certain class, without going into specific names I have seen Dalda tins used to make transformer sections...you don't have to believe me folks, just stroll down Lamington Road buy a normal adaptor of 1 amp test it under a load and see for yourselves that it was actually only 500 m amps & not 1 amp. In case you are wondering what happens when there is an instant surge and your equipment gives up the ghost, it was because the insulation or lamination gave way & you shorted the transformer out......now if there were standards that were enforced that wouldn't have happened. Yes there is ISI but is it enforceable? Are the rights of the customers protected...the answer is a no ! In the developed countries even if you want to you cannot buy stuff that is not approved by an Electrical authority....on in case anyone does decide to flout the rules there is a $ 50,000 dollar or equivalent fine with a one year non bailable jail term......

Space & time does not permit me to get into transistor, their rating, circuit filtration, etc....bottom line is that there are compromises in almost all Indian products.

Does that mean Indian stuff is not good ? To me the answer is a yes & no. Yes it is not good enough, as at the present because there are no Industry standards/regulations to go by, customers are only price conscious & don't know or couldn't be bothered about quality and want instant gratification instead of looking at their equipment from a long term investment point of view. No because they can easily ensure that quality components are put and serve the customer better. It doesn't cost much at all...20% 30% extra at the manufacture's level, which translates to a maximum of 10% increase to the retail cost.

Look at the Godrej refrigerators of old and of today...remarkable change...reason the multinationals all started to price their products in the same price range of Godrej, which made them to either shape up or ship out. I don't have to get into Godrej customer service now and of old....the writing is on the wall.

Question is Why cannot the foreign dealers/distributors come down from their high horses and compete at Indian prices and why cannot the Indian manufacturers beef up their quality checks & components ? To me it finally boils down to the same thing....you pay less for an Indian product, you think you have got a deal until you find that after repairs/replacement you could have probably been better off with a decent foreign product.

Why cannot we get an Indian product of an foreign quality & standards at an Indian price ? The answer lies with you folks...see what happen with Godrej you could force the audio industry to do the same, if you really want to make a difference.

I think forums like this should be used to educate the consumers what they should be looking for as to specifications & quality and demand that their rights are met. No longer would one need to get hoodwinked or pressurized by anyone any longer. Knowledge is power and it is available if you really desire the same.

Square Wave was mentioning about Indian speakers, let me take the liberty of dwelling on this from the perspective of being involved in the R&D of speaker manufacturing for a number of years...do you think that if a foreign brand was priced at the same level as an Indian brand would you have got the same components presently found in Indian speakers. Probably not.....it is the same equation...... competition brings out the best. Why is it that the importers are allowed to get way with murder as to prices & the Indian manufacturers stint on the components used ? The answer is because the customers don't know what their rights are. Am I saying the Indian speakers are not good...the answer is an emphatic NO....they are good....but for the money the customer is paying for they should be getting more. No longer do the customers have to hear tall stories of speakers bottoming out because of music content or boominess because of the room & poor imaging because of improper room acoustics. Place an equivalent properly designed foreign speaker similarly priced in the same environment and compare the performance & technical specification head to head and you will find out what you have been missing. You really don't know what you are missing when you don't or cannot make a proper comparison of speakers, due to the abnormalities of pricing.

This is all fine in theory but how does it translate into practicalities ?...one people have to be more informed..there are enough & more qualified individuals in this forum to share there knowledge freely, second question the person who you are dealing with as to purchases, we needn't get swayed to a point of blind belief just because one or two individuals with ulterior motives praise or recommend any individual product, third know your rights if you are paying your hard earned money, you are not doing a favor by purchasing any particular product. It is your money and you have a right to know all about your product, irritating as it may seem to the person who is trying to hard sell you a product lastly patronize companies who have a genuine interest in audio and who are not in it only for the money. The law of economics would force the rest to change should they want to survive.

I might be accused of ulterior motives being a manufacturer & distributor myself and I am prepared to face criticism on this count.....only remember I am a consumer & customer too.For whatever it is worth I am sick & tired of seeing the average Indian audiophiles being taken for a ride because of their innocence & gullibility, it is high time all this comes to a head. I hope this does sound as a warning bell to both the Indian foreign distributor & the Indian manufacturer because sooner then they can think exactly what has happened in the refrigeration / automobile industry would happen to the audio industry. Without getting into specifics I know of companies, based on discussions at exhibitions, who are preparing to use India as a base for exports thus spreading their costs and supplying the Indian markets with world class products at Indian prices.

I was discussing with someone the other day...audio products are going to be introduced that are fully upgradeable, modular exchangeable and having an excellent resale value...and very very competitively price. Thus an absolute novice could start off a basic system & upgrade and /or customize his system to meet his budget & his tastes. For all you computer geeks...think of how you could change just about everything in your hardware & yet run Windows XP comfortably....that is what I am trying to convey as to audio.................

Roshan & Arj mentioned about components & assembly lines of different companies being used ...and how everything boiled down to Design. I am inclined to agree to both of their views with an additional comment....it is time the Indian customer demands that while designing the Indian companies incorporate the best value for money components instead of indulging is components just to get by with a maximum of profit...yes there are exceptions but they are few & far in between.

As to SquareWave & Bigears dialogue of continuous improvement all I can say is that yes it also happens in the mid sector abroad, but sadly with the Indian companies I am inclined to believe that is not the case although I might be wrong here.....

All said & done this is turning out to be quite an interesting discussion......let us hope that these discussion turns into something productive for all in the days to come.

Regards,

Junia.

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jsa_ind

Hi All,

I will probably get shot by the time I get to India.....but here are
questions worth pondering upon

Why cannot we get foreign products at competitive prices ?

Intech is a manufacturer, a distributor and a consumer of various products.
The cost of manufacture is minuscule compared to all the margins which keep
being added as the goods are passed on from one level to the other. Why
cannot the Indian distribution chain live on reduced margins instead of
comparing & selling products at US prices and in some cases more then the US
prices ?

Okay there is Custom Duties, Octroi & stock moving slowly blah blah but it
still does not justify these atrocious prices ? There is also something
known as under invoicing....pious as anybody may claim themselves to
be.....I being from the industry know what goes on. Oh yes there is warranty
which customers in most cases are emotionally blackmailed into paying extra
monies. I as a customer have seen how I was bounced from dealer to
distributor to manufacturer when it came to fulfilling so called
warranties...to me it is just a ruse to extract extra monies. Very few
companies live up to their promises. In some cases they do live up, only to
be let down by their distribution chain.

Do you think if foreign products were available at affordable prices the
Indian audiophile circle would grow ? I think it would......

I know the first question that would be asked is "Put your money where your
mouth is.....well Sirs that is exactly what would happen. For those who
think that this is hype so be it...only time will tell. Quite frankly I
don\'t need to be selling Audio to make ends meet...I have other irons in
the fire. Truth be known they are quite a few other companies in India who
are doing audio on the side and hence can also spread out & lower their
costs

It is my mission to go about setting a trend that would make Audio more
affordable & enjoyable. I can only give the impetus...the rest would have to
come from the customers like you all.

Once the price is brought down, then let there be a healthy competition that
would only benefit the customer in the long run.

Lowering of prices would encourage local companies to get their act together
to increase their quality control & use better components as the gap between
the foreign & Indian goods narrow down.

Without getting into specific names & brands. Most Indian hi-fi loudspeakers
use a particular brand of local high frequency drivers which is supplied to
low end manufacturers abroad. If there was competitive competition they
would be forced to use imported high frequency drivers and/or higher priced
local products. The same can be said for resistors, currently 10% tolerance
resistors are used...if there was competition they would use 1% or .5%
tolerance resistors. I can go on as to transformer specifications &
capacitor tolerances, inductors etc.. but I don\'t want to bore you all with
technicalities.

As much as the distribution link is to be blamed for the imported products.
I feel that most Indian companies are getting away with murder by using
inferior components.

All this can only stop if customers demand their rights and gyrate towards
companies & products that offer a superior product at a competitive price.

I am ready for the brickbats..so throw them folks...I shall attempt to
defend my stance while you take pot shots at me !!

Regards,

Junia.

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big-ears

Dear Junia,

I am in total agreement with you here.

The duty rates charged by the Indian Govt are still steep today and at 250%
were simply outrageous in the days of yore! Imagine, a designer/manufacturer
putting in his blood and sweat into producing a product and getting a
fraction of that percentage as profit. Or a dealer blocking his money to
maintain stocks and getting nowhere near that percentage. And the Govt
milking us for our hard earned money to disappear into the great Indian
black hole...

My point exactly on the quality of components used by the Indian
manufacturers, I am sure they leave a lot to be desired. And we all know
that the better the quality of the components, the purer the quality of
sound.

I am sure the Indian audiophile circle would grow if quality products were
made available at reasonable prices. Competition can only benefit the
consumer. Remember the good old days when the Govt allowed us to buy only
Ambassadors and Premier Padminis? Where are they now?

Cheers

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Neutral

Hi Big-Ears,

I don\'t doubt that foreign components sound better if you can afford them.
B&W, Mission, Avant Garde, Bryston, Krell, and Magnepan would effortlessly
crush Indian competition. But at my budget of Rs 25,000 for amp + speakers,
only Indian stuff can be purchased.

I love audio but see no sense in spitting in the plate that I have to eat
from. That I could obtain balanced and relaxed sound at this price range is
itself to be commended.

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square_wave
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big-ears wrote:
Hi Neutral,

I wouldn't quite agree with you there. I am sure Manek and Arj have listened
to a lot of good foreign products to have arrived at this conclusion. I have
too, and I fully endorse their views here, my pride for the country
notwithstanding.

Indian companies have a miniscule market compared to the foreign ones who
are exposed to much wider markets and intense competition. They have huge
R&D facilities and efforts. Yamaha is a giant; it's annual R&D budget would
probably be more than Pulz's 5 years' turnover. I don't wish to demean Pulz,
I am just putting into perspective Yamaha's efforts. The competition and the
R&D ensures that the customer gets real good value for the money.

An audiophile product for Rs10000? I doubt you would ever find such an
animal, this is entry level.

If today you are happy with Lithos and Pulz and Sonodyne, good for you!
Maybe when you hear more of the renowned foreign ones, you too will
understand the difference!

Cheers
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

I don't really agree with you here. Comparing niche Indian products like
lithos, pulz etc.. to mass market Japanese products like Yamaha is not fair.
Just because something is foreign and has got lot of R&D money does not give
you good quality products. I have owned and extensively listened to products
from companies like sansui, pioneer, sony, Onkyo, Yamaha etc.. When it comes
to audio, these companies make decent sounding source equipment like cd
players and cassette decks. Companies like Sansui, Onkyo and pioneer used to
make some decent integrated amps also. But the good models were very few and
they don't make them like that any more. These are mass market companies
driven by mass market economies and most of their amps and speakers are real
JUNK. I would say speakers made by Lithos, Acoustic portrait, Pulz are far
better than any of them. I own acoustic portrait speakers and I have
listened to most speaker-specialist "branded" stuff available in Bangalore
and I would say the competition starts only at around the 1 Lakh price
point. This is because of the high quality design, drivers and electronics
used in them. The drivers (typically used in branded speakers costing more
than a lakh) are personally matched by the designer and very low
tolerance/high quality electronics are used. I went and had a look when my
speakers were being made and I was pleasantly surprised by the size and
specification of the transformer in the crossover circuit. There are people
who do a good job in India. It is true you get better quality if you import
from specialist brands. But at what cost ?

****************************************************************************************************************************************************************************************************************
SUB_BOSS
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Square wave wrote :


There are people who do a good job in India. It is true you get better
quality if you import from specialist brands. But at what cost ?


Thats very true with the situation right now and what about the extra care
taken while assembling by these hobby driven guys than the balance sheet
driven big co\'s like Onkyo.

****************************************************************************************************************************************************************************************************************
binoymehra
I disaree with square wave. Speakers like Dynaudio Audience 42, or Quad
11L,12L which are with in 30K are very good speakers for the amount and they
have been hailed all over the world.
********************************************************************************************************************************************************************************************
square_wave
Very true. It is the personal attention to details that makes products like
these a better buy. Even I was scared to buy local when I could get a
branded speaker for the same price. I used to make speakers for my friends
when I was in college with bolton drivers and mdf cabinets. My dad was very
stingy with cash those days and the beer, bikes and girls needed money..) So
I knew what goes into speakers and I was able to defeat my mind block
easily. But there is a clear line that differentiates mass market Indian
companies and niche hobby driven guys like lithos, Acoustic portrait
etc..People need to be aware of this.
******************************************************************************************************************************************************************************************************************************
Arj
Well, the question of Branded Vs Unbranded exists in ALL goods not just
Audio and the logic is just the same.

for me anything which is not expensive (Eg sub 3000) i might go for
unbranded. But anything above that, i do not mind sepnding more for Branded
primarily due to security and resale value;

With unbranded or grey market, even a 10 year guarantee is actually
valueless as it is purely on word of trust.
anything fortunate or unfortunate happens to the person ( getting a job
abroad, higher studies, financial ruin etc etc ) and all that guarantees are
void.

Another point is resale value. the resale value of unbranded crashes to
about 30% or even less the moment you have bought it and taken it home. A
branded would always have a value associated to it and something you can
research and compare at so many sites. Infact a cheaper second hand branded
component might give you a better resale value !

Neutral, you made a very valid point of Budget. in the end what you look for
is the Best sound within your budget. Nothing wrong with that. it is just
that you explore all options and then make an informed decisions. there are
no right or wrong decisions in this. there are only decisions which match or
do not match requirements.

There is nothing Wrong about Bumps and tizzs in recording..no rule which
says you should not like it. and everyone who owns a music system is under
no compulsion to be "what is perceived as being a audiophile". it goes
purely by what you like and what makes you feel good when listening to music
!

cheers
*************************************************************************************************************************************************************************************************************************************************
big-ears
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
I don't really agree with you here. Comparing niche Indian products like
lithos, pulz etc.. to mass market Japanese products like Yamaha is not fair.
Just because something is foreign and has got lot of R&D money does not give
you good quality products. I have owned and extensively listened to products
from companies like sansui, pioneer, sony, Onkyo, Yamaha etc.. When it comes
to audio, these companies make decent sounding source equipment like cd
players and cassette decks. Companies like Sansui, Onkyo and pioneer used to
make some decent integrated amps also. But the good models were very few and
they don't make them like that any more. These are mass market companies
driven by mass market economies and most of their amps and speakers are real
JUNK. I would say speakers made by Lithos, Acoustic portrait, Pulz are far
better than any of them. I own acoustic portrait speakers and I have
listened to most speaker-specialist "branded" stuff available in Bangalore
and I would say the competition starts only at around the 1 Lakh price
point. This is because of the high quality design, drivers and electronics
used in them. The drivers (typically used in branded speakers costing more
than a lakh) are personally matched by the designer and very low
tolerance/high quality electronics are used. I went and had a look when my
speakers were being made and I was pleasantly surprised by the size and
specification of the transformer in the crossover circuit. There are people
who do a good job in India. It is true you get better quality if you import
from specialist brands. But at what cost ?[/quote]
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Hi Square Wave,
I haven't really heard Lithos or Pulz or Acoustic Portrait, so I cannot
comment specifically on them. However, if you are happy with their
performance, once again, good for you! I have heard some others and don't
think I would like to own a single one, especially when there are so many
mouth watering products to be had hailed the world across.

The mass market products you mention could be the low budget ones. Have you
heard any of the Yamaha/Pioneer/Sony models made for the British market?
Hear them and you might consider changing your views. But sure,
Yamaha/Denon/Sony etc make mass market products, and what is wrong with
that? They also make very high tech products, and by no stretch of
imagination could one call a RXV 2500 or a Denon 3805 or Sony STR junk! But
I can't see any of the Indian manufacturers you quote coming out with a
competitor to the DSP Z9, or the Denon 5805 in such a hurry! If economies of
scale allow the foreign manufacturers to offer a lot of technology at rock
bottom prices, well, more power to them.

Also I don't know what "specialist branded" stuff you have heard upto Rs 1.0
Lakhs that put you off so much. The Dyn Audience 42s, PSB Images, Infinity
Primus\', Quads, etc, etc, are very high quality speakers available for much
less.

On your assertion that R&D does not improve quality, well, if that is your
view, you are welcome to it. HM and Premier hardly had any R&D so to speak
of, whereas their foreign counterparts like Toyota, Honda, GM, Ford, Suzuki,
etc, etc, firmly went the R&D way. Which car would you prefer to own now -
an Ambassador or a Premier, or one of the latter?
Cheers
********************************************************************************************************************************************************************************************************************************************************
square_wave
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
Arj wrote:
Well, the question of Branded Vs Unbranded exists in ALL goods not just
Audio and the logic is just the same.
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

for me anything which is not expensive (Eg sub 3000) i might go for
unbranded. But anything above that, i do not mind sepnding more for Branded
primarily due to security and resale value;

With unbranded or grey market, even a 10 year guarantee is actually
valueless as it is purely on word of trust.
anything fortunate or unfortunate happens to the person ( getting a job
abroad, higher studies, financial ruin etc etc ) and all that guarantees are
void.

Another point is resale value. the resale value of unbranded crashes to
about 30% or even less the moment you have bought it and taken it home. A
branded would always have a value associated to it and something you can
research and compare at so many sites. Infact a cheaper second hand branded
component might give you a better resale value !

Neutral, you made a very valid point of Budget. in the end what you look for
is the Best sound within your budget. Nothing wrong with that. it is just
that you explore all options and then make an informed decisions. there are
no right or wrong decisions in this. there are only decisions which match or
do not match requirements.

There is nothing Wrong about Bumps and tizzs in recording..no rule which
says you should not like it. and everyone who owns a music system is under
no compulsion to be "what is perceived as being a audiophile". it goes
purely by what you like and what makes you feel good when listening to music
!

cheers
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

Yeah.I agree. It is a matter of priorities ! My priority is musical
pleasure. I want a product which will give me the best for the amount I pay.
I could not find a branded product to satisfy me at my budget. There is no
point in owning a product which does not make you happy even though it has
lot of resale value. My Bose 401 comes to mind. I owned that speaker for
almost 3 years and what a waste of time! I actually sold it for a very
negligible loss. Does that make me happy ? NO ! If I had truckloads of money
to burn, I wouldn't mind buying a branded speaker which will satisfy me.
There is a reason why DIY is a big industry abroad.
****************************************************************************************************************************************************************************************************************************************************
Neutral
Hi, Could you please tell me which speaker amp combos you have heard that
have fantastic dynamics. This would be helpful for those making fresh
purchases.
****************************************************************************************************************************************************************************************************************************************************
roshan

Guys,

Being a manufacturing professional, I cannot but jump in to this discussion.

Manufactuirng today has changed a lot, from yesteryears, where companies
made everything they sold. Today very few "brands" own complete
manufacturing facilities, nor do they want to.In fact there is a famous and
expensive european luxury car model that is totally manufactured by someone
else. Take computers, cars, soaps, shampoos or even medicines....it\'s the
same story.

Let\'s move to electronics. The Toshiba TV you buy will have a Philip\'s
tuner, a samsung Tube, a hitachi motherboard.... and would be assembled by
Videocon in Ahmednagar. No kidding!!!

So what\'s the "brand" value, that you pay for?

Coming to audio products, a speaker manufacurer in all probability will not
make the drivers, crossovers or even the cabinet. Some never even touch
their own products, from manufacture to sale. So if someone else buys the
same sub-systems from the same sub-contractors, would it sound the same? To
a great extent.... yes.

Would you pay your neighbour Rs 60,000 for a cadence rip-off speakers, that
he assembles using the same components on his terrace? Probably, no.

The same analysis can be applied to amplifiers, cd players etc.. and you
would end up with the same set of questions.

If you made the same aggregate using the same sub-system or sub assemblies,
but without the logo, would you....

a) Be able to charge the same?
b) Incur the same cost to manufacture?
c) be as reliable?
d) satisfy the aspirations of consumers?
e) make your product look as good?

and perhaps the most "inconsequential" ....

e) SOUND THE SAME?????

...........................end of part I.......

Roshan.
***********************************************************************************************************************************************************************************************************************************************************************
square_wave

Big ears,

Sure these guys makes some good AV recievers.When I mentioned audio, I was
keeping stereo in mind because this is a stereo forum. I am not aware of the
big boys in the AV business. Maybe some video/audio guy could chip in
here..)
In audio I was talking about the amplifier and speaker technology. As most
seasoned audiophiles know, there has not been much advancement in technology
in these two fields in the last twenty five years or so. This is not what
most manufacturers will tell you. They will add some chip in the processor
section of the AV receiver and proclaim it as the latest technology. But
this is not advancement in sound amplification or reproduction. It is
basically an add-on to basic amplification technology which already exists.
If you take the latest flagship reciever from Denon/ yamaha or marantz and
compare its amplifier section to a 15 year old flagship Bryston, MF,
Mc-intosh or krell, sugden etc..you will know the av reciever is junk. What
you get with a modern receiver is good AV sound processing and sound
management technologies which are basically add-ons. That is the reason why
you get the receiver for less than quarter of its price in the second hand
market within three years. That is the reason why smart AV guys buy just the
sound processor and then add power amps made by the big boys. It makes it
more flexible also.

I wanted floorstanders at around half a lakh. I know good bookshelf speakers
exist for this price. But then I have look out for a matching sub which will
take the total expense to a lakh. The only reasonably priced floorstander I
liked was the quad 22L at 75k. But frankly I liked the AP better at a much
lower price point. As I said earlier, good speaker technology exists for
more than a couple of decades. People have even been making clones of most
popular models of proac, AR etc.. for ages at quarter of the price. There
are instances where some seasoned audiophiles preferred the clone to the
original ones also. It is available for any hobbyist who has the drive and
inclination to make good speakers. From my observation, it is only at the
super high end audio, where you need continuous refinement of technology and
path breaking products every two years etc.For example, if you take B&W, it
is only the super high-end nautilus series which gets improved. And you are
not going to get those refinements unless you shell out a lot of money. Most
speakers costing below a couple of lakhs are all playing around with the
same old technology which has been available to anybody for a long time.
They will come out with a new series every two years with new color/material
for the woofer etc.. and proclaim that it is path breaking technology. The
truth is that they will sound similar to the older series. This is to fool
the gullible public who always wants the "LATEST" .There are a lot of cases
where the older series were better than the new ones. Case in point is the
older wharfedales, Infinity, Acoustic research etc.. The older wharfedales
sounds far better than the "LATEST KEVLAR" Chinese woofer clad versions !
**************************************************************************************************************************************************************************************************************************************************************************
big-ears

Hi Square wave,

This is turning out into a interesting discussion!

But, you may be comparing apples and oranges here. Sure the amplification
section of a flagship AVR receiver cannot be compared to that of a Krell or
a Mcintosh. What is present in an AVR receiver is adequate for the job it is
supposed to do which is process and amplify HT material. It isn't required
to bother about soundstaging, or imaging or resolution. But there is also
another angle to this point. The AVRs we have mentioned are Japanese,
whereas the stereo amps are British / American / Canadian. Now which
seasoned audiophile would compare a Japanese amp to a Krell or a Bryston or
a MCIntosh?

There may not have been much of advancement in basic speaker/amplifier
technology per se, but I am sure there is an improvement in the products
available today, because of the improvement in materials and manufacturing
processes of various components like capacitors, resistors, transformers
etc. Technology and improved manufacturing processes today allow materials,
hitherto only the preserve of the exotic, to be used in more commonplace
systems. I wouldn't therefore quite agree with you when you say there has
been no improvement in the past 25 years. Improvement is certainly there,
only there hasn't been any radical change. But then it is like saying,
because cars 25 years back had 4 wheels and a steering wheel and ran on
roads, and they do so even today, there is hardly any advancement in
automobile technology. This is surely a little off the mark. Drive a car
which is 25 years old and then drive a modern one and the advancement will
soon be obvious. In amps, 200wpc has become commonplace today, 25 years ago
how many amps were there in the market delivering that kind of an output?
And the price of the ones which did? This is only on the stereo front, when
it comes to AV, there has been a sea change. 25 years ago there was no DD or
DTS, why, Prologic became available to the consumers only in the 90s.

On the smart AV guys buying processors and adding power amps, in addition to
being smart they would have to be real well heeled too. Surround processors
cost an arm and a leg. Try buying a Lexicon processor!

Speakers are a highly subjective issue. People may be making clones of
popular models for ages. I too would love to make a clone of the Evidence
Master for my listening room. But how would I ever be able to replicate the
infinite testing and the minute modifications/amendments that Dynaudio would
be carrying out their super high tech facility? Don't want to fool myself
going that way.

Kevlar, yes. Agree with you there. It is simply not the wonder material for
speaker cones that it was thought to be. Don't want to comment on B&W's
policy, but Dynaudio has been using the same basic material for its drivers
for a number of years. Yes, they might have made some changes in the voice
coils / magnets etc, in the name of advancement, however.

Bottom line is finding something that suits your ears at your budget, and
staying happy.

Cheers
***************************************************************************************************************************************************************************************************************************************************************************
square_wave

Hi big ears,
I am not literally comparing the two. I am just trying to prove the point
that amplification technology in its cleanest form has been there for more
than a couple of decades. In fact you may find better amplification in a 15
year old krell than a new flagship AV receiver.
I agree with you that good sound has become affordable today because of
improved manufacturing process.
Evidence master is a super high end speaker. I have already posted that
there is continuous refinement of technology in super high end audio. Most
speakers that we seek do not belong there. I am just trying to prove the
point that technology to develop very good sounding speakers which are
affordable is very much available to people who have the drive and the right
connections to a research facility. Siva of acoustic portrait is one I know
personally. There may be others but I do not know them.

************************************************************************************************************************************************************************************************************************************************************************************
Arj
created: Jun 01. 2005, 17:44

Wouldnt agree with you more .
The essence is not the manufacturing but the design. Almost every CDP no matter what price uses a Philips or a sony transport but each do sound different.

Most Brands like Mark Levison, Vincent, Rotel, Theil are all manufactured in China..but it is their design which sets them apart not the manufacturing. This is what I am talking about ie the Know how to voice a component.

Eg the harbeth. it is voiced and personally tested by the owner (In fact he used to use his own daughters voice to test it out..) Same for Reference 3a, JM Reynaud, Living Voice, Sugden etc etc.

My take is NOT on the technical side of things, but in the actual design to give a voice signature to the product.
Even Cadence is only manufactured in India . the design is done by an australian who actually started his plant in India due to the flagrant abuse of IPR in china (Cayin, Consonance, Shanling are all copies of western designs by OEM manufacturers)

APPLEs products are ALL manufactured and assembled in China/Taiwan. but the design is all american.
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roshan wrote:
Guys,

Being a manufacturing professional, I cannot but jump in to this discussion.

Manufacturing today has changed a lot, from yesteryears, where companies made everything they sold. Today very few "brands" own complete manufacturing facilities, nor do they want to.In fact there is a famous and expensive european luxury car model that is totally manufactured by someone else. Take computers, cars, soaps, shampoos or even medicines....it\'s the same story.

Let\'s move to electronics. The Toshiba TV you buy will have a Philip\'s tuner, a samsung Tube, a hitachi motherboard.... and would be assembled by Videocon in Ahmednagar. No kidding!!!

So what\'s the "brand" value, that you pay for?

Coming to audio products, a speaker manufacurer in all probability will not make the drivers, crossovers or even the cabinet. Some never even touch their own products, from manufacture to sale. So if someone else buys the same sub-systems from the same sub-contractors, would it sound the same? To a great extent.... yes.

Would you pay your neighbour Rs 60,000 for a cadence rip-off speakers, that he assembles using the same components on his terrace? Probably, no.

The same analysis can be applied to amplifiers, cd players etc.. and you would end up with the same set of questions.

If you made the same aggregate using the same sub-system or sub assemblies, but without the logo, would you....

a) Be able to charge the same?
b) Incur the same cost to manufacture?
c) be as reliable?
d) satisfy the aspirations of consumers?
e) make your product look as good?

and perhaps the most "inconsequential" ....

e) SOUND THE SAME?????

...........................end of part I.......

Roshan.
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***********************************************************************************************************************************************************************************************************************************************************
SUB_BOSS
Gesperrt
#2 erstellt: 02. Jun 2005, 06:49
SUB BOSS wrote :


Thats very true with the situation right now and what about the extra care
taken while assembling by these hobby driven guys than the balance sheet
driven big co's like Onkyo.


I had to underline the phrase "situation right now"...the present situation in India and not future......and when i mentioned hobby driven enthusiasts they need not operate from a small garage or be keen DIY .....it can be a huge firm like Ferrari.driven by hobby and passion...or like MV Agusta..or Caroll Shelby... and not money minded like TATA.So we too look forward for a firm like Ferrari selling stuff at worth it's price....I'm stressing worth it's price.........

anyway here's one for your post.
big-ears
Stammgast
#3 erstellt: 02. Jun 2005, 06:53
Hi Junia,

Sorry for taking the liberty of replying to an earlier post on this topic.

Square Wave wrote:

"Hi big ears,
I am not literally comparing the two. I am just trying to prove the point that amplification technology in its cleanest form has been there for more than a couple of decades. In fact you may find better amplification in a 15 year old krell than a new flagship AV receiver.
I agree with you that good sound has become affordable today because of improved manufacturing process.
Evidence master is a super high end speaker. I have already posted that there is continuous refinement of technology in super high end audio. Most speakers that we seek do not belong there. I am just trying to prove the point that technology to develop very good sounding speakers which are affordable is very much available to people who have the drive and the right connections to a research facility. Siva of acoustic portrait is one I know personally. There may be others but I do not know them."

Hi Square wave,

I seem to be missing something here, may be it is my advancing years, or I am just plain slow on the uptake.

The crux of the discussion, over the last few posts, was whether products from renowned foreign companies, aided as they are by economies of scale and substantial R&D efforts, were generally better than Indian ones. I therefore cannot understand you bringing up, and again re-iterating, the “Flagship AVRs are not as good as 15 year old Krells” question. I mean, is there something about Krell’s history that I have no idea about? Isn’t Krell a foreign brand? Were Krells designed and manufactured in India until about 15 years ago and left our shores only subsequently?

Sure the Evidence Masters are ultimate speakers. But there is something known as a “trickle down effect”. Reputable companies incorporate many of the technologies learnt while researching and developing their cost no object designs into their more affordable models. The technology of the 85K USD Masters trickles down to their more practical Confidence line, and even to the 3.5K Special 25, benefiting consumers greatly. So is the case with B&W and their Nautilus speakers. The Nautilus Tweeter technology is incorporated into their more down to earth CDM series and so on.

I know nothing about Mr. Siva, nor do I have anything against him. Since you know him personally and can vouch for his efforts, I would say, may his tribe increase. We Indians desperately need such people. I can only talk about the people I have come across in India who have nothing original to offer and make a living out of conning gullible audio enthusiasts by offering cheap copies of the efforts of foreign designers. Or one gentleman from Chennai. I have related this story earlier on this forum and do so again. I remember reading in the year 2000, an enthusiastic write-up in A/V Max extolling a company called Torvin and it’s designer. The designer called the reviewer from A/V Max all the way to Chennai to review his flagship floorstander, a 5 ft plus tall speaker featuring multiple drivers and a 450 watt rating. And guess what he had arranged in the way of front end and electronics for this “review” ? A LD player and a receiver! And this was proudly reported upon by A/V Max. Now, would I ever waste my time auditioning a Torvin speaker? Or reading A/V Max? No Sir!

Cheers


[Beitrag von big-ears am 02. Jun 2005, 07:06 bearbeitet]
SUB_BOSS
Gesperrt
#4 erstellt: 02. Jun 2005, 07:25
ooh yeah almost forgot to mention...when comparing Indian and Foreign brands lets make it fair when we put prices in USD or GBP ( or prices of original market where it's sold)and not retail price + customs + dealers mark up + dealers wife gold jewellery instalment + dealers installation charges consolidated in indian rupees...this doesn't give a concrete ground for a comparo...If an amp costs $600 then I would put them in bracket of 20-25k Indian amp. I agree many would not support my point of view, but buying something for $600 in US is good but the extra you pay to get it to India would add up another clean $400-500 for courier+customs and thats your problem and really it does nt make sense when you call it a $1100 amp as the component you got is worth $600 in it's original market.'..Lo then conclusion is drawn that the amp originally costing $600 ( with warranty ) in US will be sold here for 50k without warranty or dealers usual word of mouth warranty( which isn't even worth a fart).So thats quite common when the same amp sold here at 50k puts a block in customers mind it's overpriced....if any of you guys strongly feel I'm wrong please come forward with your views.

Until then I will add some fuel and get charged up....



and a smoke too

puff

puff

puff
hifinovice1
Stammgast
#5 erstellt: 02. Jun 2005, 10:14
I would agree totally,with SUB- BOSS,here.
What is the valus addition in terms of 500 USD product being sold at Rs 40K-50K,in India?
Customer is not interested in custom's duties/dealer profit margin..etc.He wants a 500 USD product at 500* exchange rate + 10% more max...
For that kind of money 40K-50K,Indian brand would surpass the sound quality offered by the 500 USD product,with all the sub-grade,components included..
Only the extreme Hi-Fi,would make a difference and not the entry level product,and within that a speaker in particular.
Nothing has changed radically in the techonology,in speaker building/design,for the last few decades,at least at the entry level/mid level.
Entry level,Indian brands would definitely outclass,any foreign brand at the same price point(In terms of final cost in Rs. to the customer.)
Unfortunately there is no Indian brand worth mentioning,in the amplifier category,may be Iam not aware(Except Cadence).
jsa_ind
Stammgast
#6 erstellt: 02. Jun 2005, 10:21
Dear Big Ears, Subboss & Squarewave,

I think the best way is to compare oranges with oranges. If someone claims that theirs is a clone or replica of another system, there should be a technical & A/B test done on both the clone & the original to determine the virtues of each. Only then is it justifiable to make claims of cost competitiveness...if any, by the cloned item. I think Sub Boss is right in his observation of comparing prices with foreign and Indian goods...that would knock off all the layers of fat that keep getting added on in an exaggerated manner.

If it is not an exact clone then the equivalent specifications of a foreign items needs to be compared directly with the item in competition.

Everyone is entitled to make tall claims......but only when it stands to the scrutiny of the world ( technical & auditioned) and passes with flying colours can those claims be taken seriously enough.

Bigears you are absolutely right there is a trickle down effect of new technologies from the flag ship models to the entry level models in all companies worth their salt. I really don't want to comment too much on companies who don't follow that practice...all I can say they must be really good in marketing their wares.

Regards,

Junia.
big-ears
Stammgast
#7 erstellt: 02. Jun 2005, 10:24
Hi Hifi Novice,

If you feel that

"Unfortunately there is no Indian brand worth mentioning,in the amplifier category",

how can you then assert that

"For that kind of money 40K-50K,Indian brand would surpass the sound quality offered by the 500 USD product,with all the sub-grade,components included.."



Cheers
big-ears
Stammgast
#8 erstellt: 02. Jun 2005, 10:36
Dear Junia,

You have echoed my sentiments exactly.

A/B comparisions, or group tests with other similarly specced products, are essential to determine where exactly a particular product stands in the world market.

Mere claims, without any of the products talked about facing any of the critique that international brands go through, have absolutely no meaning...

Cheers
jsa_ind
Stammgast
#9 erstellt: 02. Jun 2005, 10:39
Dear Hifinovice1,

Here is an industry secret that most customers are unaware of, the distributor margin of imported goods is at least 50% ( in some cases even more) off the manufacturer's selling price. Indian distributors can easily cover all those government taxes & dealer margins (10 to 15%) in their 50% make a tidy profit and still give the customer a $ 250 priced item abroad at $ 250 in India....or max 5 to10% more.

The cost of living in India is not that what it is in the west and neither are the advertisement costs the same....yes there is a relatively slower moment of stock, but does that justify ripping the gullible & innocent customer off ? You decide what is right & wrong !

Like I mentioned in my previous post, for any Indian product, entry level or otherwise, it has to withstand the scrutiny of a technical evaluation & auditioned independent A/B tests to really certify & validate their claims. Granted you might be paying a lower price but are you paying a higher price for a sub standard product is a question that really has to be answered......

I need to reiterate I am not against Indian or foreign products.......it is just these skeleton in the cupboards have to be removed if we are to make any worth while progress in expanding the audiophile family.

Regards,

Junia.
sivat
Stammgast
#10 erstellt: 02. Jun 2005, 11:00
Corrson relied on facilities and expertise of our partners based abroad for designing our products - during the initial period. But after 5 years of doing the same, today we are fully geared to do the design as we have both the required level of expertise and facilities. Are we comparable to Dynaudio...no..because, they are not just loudspeaker manufacturers but also a renowed driver manufacturer and a big innovator of what i would call - core techology (Very few companies such as KEF, JM Lab/Focal, B&W, Cabasse, DST, Seas, etc., fall into this category). Most other loudspeaker manufacturer who rely on companies like DST, Seas & Focal for core technology (as ourselfs), do not have such elabroate facialities as Dynaudio as well. Can Indian companies compete with Dynaudio, Focal, DST, etc., in terms of technical abilities...not for the moment; But can Indian companies compete with Castle, PMC, Living Voice, Jamo, Whaferdale, etc.,....yes they can...provided they are not looking at immediate financial return.

When Indian engineers can lead in IT, Bio-Tech related fields, so can they in other fields including consumer electronics. Many Japanese, American and European giants have opened labs in Bangalore/Chennai to develop and test Dolby Digial/DTS decoders and other such hi-tech chips and algorithms. Infact AP's Monitor Series is used in the Bangalore based lab of a Japanese Giant (Consumer Electronics) as the reference platform for testing thier decoders (Since the speakers met thier strigent criterias based on AES Standards).

Indian manufacturers do not have a problem with small size of the market...but what hurts most is the attitude of Indian customers to Indian Products. Most people turn a blind eye....and mock at Indian products even before having a feel for the same. This hypocracy that is in-built into us, hurts all hi-quality electronic manufacturer from India. Having said this, i need to admit that there are still a good number of rational people in our country, who trust thier ears only.

At the same time it is also very wrong to assume that loudspeakers from major brands in the budget segment or mid segment are subject to the same level of manufacturing excellence as a B&W Nautilius or JM Labs Etopia. After all the manufacturing cost exponentially increases as the required level of precision increases. The Singapore distributor for a major brand (being mentioned in this forum) told me that the replacement drivers (to replace blown drivers) do not fit into the original cuttings of the baffle and every lot comes in different (physical) dimension. The same speaker sells at over 75k in India. I do not deny that there are Indian manufacturers who fool the customers....but so are similar specimens present abroad, even some well known names discussed in this forum. For example, We get quotations from chinese OEM companies with their brouchures containing reviewes of their product under major brand names - in hifi mags of UK & US ....you'll zapped to know the cost Vs. sale-price of these products.

My Advice to consumers , for what its worth :

Do not be biased by Brand names or marketing gimmicks...even if the product is highly rated by reviews ( I have payed big price in the past for relying on mag reviews...ended up buying expensive products that I did not like at all) . Listen to the product for yourself with an open mind and make rational decision......you will save lots more money and be more satisfied.

Listen to the product...and buy if you like. If you are not sure even after listening - try A-B comparion in the same environment; At Corrson, we allow customers to bring in their friend's or their own loudspeaker to do an A-B comparision and this helped many of our customers make their decision. I'm sure most dealers will allow such comparision.

I think this discussion about Indian or Foreign make is simply non-relevant to those audiophiles who know what they want.
jsa_ind
Stammgast
#11 erstellt: 02. Jun 2005, 11:42
Dear Shiva,

This discussion is not to cast any aspirations against any particular company but really to educate people as to what really goes on behind the scenes be it for imported goods or locally manufactured goods...information which customers need to have, to make informed decisions.

For a company or product to really validate its claims, it has to stand up to the scrutiny of the international market, compete in international markets and stand the test of time. Rethem & Cadence are a few examples that come to mind of Indian companies who have fulfilled these standards, I am sure Corrson would also eventually join those ranks.

While Indians are highly applauded in being at the very forefront of technology, unfortunately the same intellect can also be applied in the reverse direction ...Made in USA....read as Made in Ulhas Sindhi Association is one example, if one were to go to Manish Market in Mumbai you could see for yourself this Indian brain power being applied in the reverse direction. Worse still we keeping running into that dark side in audio products manufactured in India, much the same as one would find elsewhere. However if the customers were made aware of these pitfalls, they would take the necessary steps to avoid them.

A seasoned audiophile like yourself was fooled respectively by exaggerated reviews, my question is if newbie's are not exposed to the dark & dirty secrets of our industry, how can they make informed decisions of what is right & what is wrong ? In the light of this I think that this discussion is appropriate for all who want to know the truth & face the truth. For the "ostrich with the head in the ground" mentality or "the fish in the pond rather then the fish in the sea" kinds you are right...they shouldn't be part of this discussion.

Regards,

Junia.
square_wave
Inventar
#12 erstellt: 02. Jun 2005, 11:47
Hi Big ears,
You are still missing the point.
All I am trying to say is that you don’t need rocket science to make good sounding amps and speakers. Sure, technological breakthroughs for further fine-tuning the existing technology happens at the high-end and we are not talking about high-end here.
Okay let me make it simpler.
For example, A reputed and well respected company like NAD comes out with new integrated amp "c352" in year 2004 which is supposed to be the replacement to the C 350 which is already an award winner and popular with audiophiles. Now, do you really think the NAD C352 is some revolutionary design which makes the c350 obsolete ? I don't think so. In fact the c352 had a minor design fault in the amp section which drove the earlier customers into the frenzy. This was reported on the NAD website itself. They finally sorted it our in the later batches. Now I know audiophiles who prefer the c350 to the c352 also. The fact is that all these models are basically the same with some minor modifications in the power department or elsewhere which you may or may not like. The truth is that the technology to make very good sounding amps exists for more than a couple of decades. All that is needed for production is somebody with good intentions and follow good practices. He may be a small player or big player. Just by being a big player does not give you a good product. It all depends on the founding principles of the company. There are quite a number of very small players in the US and Europe who makes far better amps than big neon bulb companies like sony, yamaha etc...In fact some of them are giving nightmares to some of the big boys too because some amps sound even better than those made by the biggies.
When it comes to the indian scenario and amps, the situation is slightly different. You have numerous parts in an amp and as Junia rightly said, most parts available in India are hopeless. You will need to import the whole thing and this does not make it cost effective and is not worthwhile. So even if the technology is available to you, making cost effective, good sounding amps is slightly tricky. Some exceptions like Pulz, Norge exist in the solid state domain. Their stuff sounds better than most mass market Japanese integrated amps.I have a friend who uses the Pulz power amp with an imported rotel pre driving a pair of acoustic energy floor standers. The amp/pre combo is far better than the Yamaha 100 watt/ch integrated he sold.

But a speaker has very few parts. You only need a good proven design and access to a good cabinet manufacturing facility. Once you have these, it is very easy to put it together. In the case of the AP, the design is sound, the cabinet is done by the pro-fx facility and it is better and sturdier than most I have seen below a lakh. The drivers are expensive VIFA, the wires and crossover components are carefully chosen and meets stringent tolerance standards. The speakers have been further fine tuned over a period of two or more years. Each speaker gets personal attention from the designer. What else can you ask for this price ?

As junia was saying,"speakers bottoming out because of music content or boominess because of the room & poor imaging because of improper
room acoustics". I encountered all these with a host of mid-priced imported branded speakers I have owned in the past. Now all that is
history. The AP proves that good design and components can give you good sound. Good room acoustics can make a big difference though.

There is a clear line that separates the niche hobby driven manufacturer with good intentions and a mass market Indian manufacturer. You
will encounter all the nasties which Junia mantioned in the latter. I will never buy a sonodyne speaker but if somebody can give me real
quality at a reasonable price and I am convinced, then I am all for it. May their tribe increase !

Another point was whether products from renowned foreign companies, aided as they are by economies of scale and substantial R&D efforts, were generally better than Indian ones. The answer from my experience, is “yes” and “no”. When it comes to audio, the trick is identifying the nasty boys form the good ones. My first hand experience is with speakers so I guess I am qualified to comment on it. If you compare a similarly priced sonodyne speaker to a wharfedale 8.4 loudspeaker, I would say the wharfedale is better. But I compared most 60k imported floorstanding speakers to the AP and the AP was the clear winner. In fact they sounded far better than most branded speakers below 90k.After that, the differences were narrow and personal preferences takes over. And I would never compare a Torvin speaker to the AP..:)) I have heard them; They are very entry level products aimed at a certain customer base.
Arj
Inventar
#13 erstellt: 02. Jun 2005, 14:42
My point is not at all about technological competence.it is about design and vision of the end sound. After all it is not technology which makes a component sound good.(If that were the case, my sugden A21a would have been canned 25 years ago !)

Hence the question of

1. How many Indian designers of audio are Audiophiles and can Voice and balance their components based on what is classically defined as "Audiophile sound" and hence would be able compete in that market abroad ?
That to me would say that they have arrived !
(Think only 2nd Rethm does the whole thing)

2. Can these manufacturers give equipment for review at known and not so known reviewers/magazines ?
(The quesion is not about how corrupt/inaccurate and unscientific the process is but on brand awareness and benchmarking)


3. what is the value ad in terms of design that has been brought about by these designers which makes it different. ?

There are lots of small manufacturers like Living Voice,Loth X, Zenn, Almarro, Green Mountain Audio, Meadowlark etc etc who have made a place for themselves in the audio world.

Square wave,
the question is not about AP being better of worse. these are as you mention very subjective and not worth getting worked up over.

the important points for me i nthis regard would be.

1. if I want to sell these of later, what price would I get. How would I justify it to my buyer ?

2. In case i want to buy a component blind (eg the benchmark DAC) can i get an Idea of the sound or the synergy from people who have owned it or tried it

3. Suppose the owner of Brand X decides to move over to another country or another business, who will honour my warranty ?

4. And most importantly. I may have heard it and liked the brand. But how confident am I that with my limited experience in high end audio, I am sure that this is doing all things right ?
This may not be very important to many people but it is very very important for me.

With a branded and renowned product I get to read reviews in other forums and magazines which gives me other peoples experience which is of great value to me. In the past 4 years I learn something new about audio regularly and that changes my expectations in the sound I hear.

That to me is the value of a Brand and that is what might get me to pay more for it.

Most DIY'ers I know change the sound of their entire system to match requirements and know what circuit to tweak to get their sound. But try to use one component of theirs in your system and it does not sound good ! since they tweak the system and not just the component.

And that is the reason I stay away from buying DIY unless someone can "customise" it for me.
square_wave
Inventar
#14 erstellt: 02. Jun 2005, 15:36
I guess your priorities are different from mine when I look for a speaker. I consider most reviews in audiophile mags to be bogus. AV Max
considers the B&W DM603 as the reference speaker in the mid-price bracket. This speaker costs 65k. I personally know an audiophile who after listening to the AP and Proacs considers the B&W 603 which he currently owns crap. BTW, It is for sale now. I have come to believe that most of these magazines are paid by these big companies. The consumer reviews on the net are even worse. They will only confuse you.I go by my ears and if it satisfies me, I go for it. After all I listen to music with my ears only. I ask for suggestions but I ask only seasoned audiophiles whom I trust and respect.

I do not go by the resale value. What I want is freedom from upgraditis for at least 10 years or more. There is no point in owning a speaker which does not satisfy me. I have gone through this cycle and it is very frustrating. I would happily go for something exotic (B&W Nautilus or Audio note) if I had lot of money to burn but right now I need maximum bang for the buck.

If you look at things practically, buying brands in India and warranties are all very shaky to say the least. For example, you buy wharfedale from dealer "x" in Bangalore and the warranty is only for a year.99.9 percent, nothing will ever happen to your speaker within this one year. After one year you are as good as somebody who bought it from the grey market. For all you know, the dealer "x" will disappear to try his hand in the beedi business and who will you go to for a replacement of the driver ? You search and find the distributor, pay him for the driver and he will send you a replacement driver and the local mechanic or you will have to fix it. The possibility of siva being around even after five years is much more than some dealer "x". Another fact is that I know exactly which Vifa drivers are used in the speaker and I can get it from anywhere, whenever I want. So I guess I am safer.

I agree with you that buying a brand gives you more confidence. But from my recent experiences, I have lost confidence in budget/mid-end category speakers from reputed brands. I totally agree that flagship models from reputed companies are really good. But bear in mind that you will be paying at least 5 times the cost of materials that goes into it. Even at that level, there are high-end small players who may give you better bang for your buck.
Manek
Inventar
#15 erstellt: 02. Jun 2005, 15:56
This discussion is quite mind blowing

All I have to say is in todays day and age, dont count out the local manufacturers as they may just be able to give you what you are looking for and at the price you want. Remember, the economy is freeing up and imports are on the rise. Good quality parts are easier to bring in.

I know, I put my money on an Indian manufacturer and have never once looked back. Total Satisfaction for my money.

Good local talent is not available in abundance but there are a couple of entities who really do a splendid job.

Manek.
Arj
Inventar
#16 erstellt: 02. Jun 2005, 16:04

square_wave schrieb:
I consider most reviews in audiophile mags to be bogus. AV Max
considers the B&W DM603 as the reference speaker in the mid-price bracket.

Well i give value to reviews at forums also Hifi choice, Stereophile , positive feedback and the Goodsound network.
They usually give measurements as well as positives and negatives. In fact I even subscribe to stereophile due to their scientific and measurement driven approach

but again reviews need to be taken with a pich of salt ..but they do have their points as well. In fact I learnt about one of my current prospects the JMR Trente only this way


BTW I dont even consider AV Max


square_wave schrieb:

I do not go by the resale value. What I want is freedom from upgraditis for at least 10 years or more. There is no point in owning a speaker which does not satisfy me. I have gone through this cycle and it is very frustrating. I


I did that 3 times but had to anyway sell those components due to various reasons. Now that is part of my criterion..in lines of Once bitten twice shy but not true for everyone

Also found that definition of good sound for me has changed over the couple of years and so has my breadth of music. hence my preference for components also seems to change.

I have a quite a few friends across forums who own similiar components as mine and it is always nice to have someone with whom to exchange notes with

But again this is not a topic to argue about but to share..
Arj
Inventar
#17 erstellt: 02. Jun 2005, 16:37

sivat schrieb:

When Indian engineers can lead in IT, Bio-Tech related fields, so can.


Hi Siva, with all due respects, If an audio component is driven by engineering, I would not touch it.

and that is exactly what I was trying to put in so many words.

I have nothing against engineering and in fact am one of the ilk myself..But Art itself cannot be structured and to me music reproduction is more of an art as a science. it takes art to design it but science to build it.

to me it is the emotional aspect of sound which is most important.. something which comes out in a harbeth or a Living voice a reference 3a or a JMR so well . In fact thats the the very reason I chose the Sugden A21a as my amp.

I have not yet developed the confidence in an Indian audio product primarily because I am not sure if we have such a class of audio designer here. hence am willing to pay more for a Brand which I know has it. (I do like Cadence but somehow may never get to buy it due to pure geographical reasons )

But your point on the market is very well taken In fact I had mentioned the same in one of my earlier post. But this liking for "Foriegn" is not purely indian. it is there even here in france where folks would prefer the Americn product purely based on the branding.

I guess that is one of the basics of marketing..build a brand and put a perception to it. Something which the Americans; the Germans, the Japanese and now the Koreans are doing so well.

I had spent an earlier avatar with an American company in Singapore with something to do with Chinese manufacturing. and agree on the cost of manufacturing.
But you should look at the figures these folks actually spend on R&D and their their reserach facilities and infrastructure. I am not aware of any basic research on this topic in India.

the so called difference in cost of manufacturing and the price includes these costs. later on the trickle down technology ensures that benefits of research are passed down to budget level as well.

hence the "cheap" entry level B&W has a lot of factors of design and components which actually comes down from the 800 series

In fact cos like HK, JBL, Revel, Infinity are all under the same umbrella company and share research facilities. same for Jamo & Klipsch;
Mirage, Energy, PSB and paradigm share the same testing facilities ie the NRC .. and so many more

Branding , perception of quality ,consumer fickle mindedness and hipocracy are all part and parcel of daily business economics worldwide and must be accounted for as they will not go away
roshan
Ist häufiger hier
#18 erstellt: 02. Jun 2005, 18:19
Hi All,

Honoring IPR: In the early 1900's the US was the biggest IPR pirate. Most of their Industrial might was built on copied European design's of basic Industrial and textile machinery.

In the sixties and seventies Japan was the IPR pariah. Today both these countires are on the other side of the fence. They produce cutting edge products and design, which in time are copied by their less developed brethren.

Today everybody points fingers at China and India. In about 10-20 years we will be producing all the cutting edge stuff in areas that we lead in today.

So let's not waste tears on IPR issues. Where a country stands depends on it's position in the technological food chain. And the pecking order keeps changing.


Brand's as designers and not manufacturers: As some one pointed out, today major brands are deigners and get their designs built by subcontract manufacturers. As a result basic component R&D and design is done and paid for by component manufacturers. Eg. advances in transformer technology are made by transformer manufacturers and not Audio video companies. The same goes for memory processors, fuel injection pumps, headlamps. So...?
Simply put, these new technologies are available to all buyers and not only to the biggest buyers etc. As a result anyone can make designs using new technologies, even the DIY enthusiast. But there is a time lag,as to when you can get your hands on it, that's all.

Is DIY workable?
Would you fly in a DIY plane? NO, NEVER!!!
Would you drive around a DIY car. NO.
Would you buy a DIY audio system. Perhaps.
Would you wear a DIY shirt. Definitely.

Obviously the issue is not DIY, it is the attribute we look for in a product. Reliability, functionality, esthetics, snob value, sound....etc.

Cost of an equivalent Indian Product:
A Boeing 737 can be made in the US, not in India. ( Read about the 25 year old AJT saga of HAL)
A merc 300SL bult in India cannot cost less than the Rupee equivalent in $ terms.
An Inidan Satellite launched in to space costs 10-15% of it's US and European counterpart.
A shirt manufacured in India has to be a fraction of the cost in the US and should be as cheap as in China.
A plastic bucket can be made in China for 10% of the Indian cost.

Cost of a product is the function of cost of Capital, availability of expertise,sub components, cost of the environment, labor content etc.

So to talk of cost and quality of an High end Audio system we need to consider the following:

Technology: Is it rocket science? No.
Availability of sub components? Indian or foreign(add 5-23%) freely available now.
Is it labor intensive? Since volumes are not high, yes labor intensive.
Is good technical talent available? In plenty.
Does it require huge amounts of capital? Not really.
Is there a large local market? Perhaps not immediately.

Once we consider these questions it becomes, very easy to understand that Hi End Audio can very easily be manufactured and sold in India at a fraction of the prices that are made to shell out today. If an established foreign brand want's to, they can hit the ground running as they already have an established off take.

I don't want to dwell in to the issue of whether Indian techies or designers can come up with good products...look around you, this is a non issue. Where we lack is in the marketing area....that's another debate for another day and another thread....

Roshan.
Sonic_Master
Stammgast
#19 erstellt: 02. Jun 2005, 18:31
Indians may be the best in IT sector or other engg fields, audio is totally diff, so how many of audio engineering colleges are there in India, if not that..

Let me expalin real time ...i mean practical experience is totally diff than what we study in the college. Its even true in audio. I have heard alot that a common diy enthusiast can beat some high end audio equip. Example one of the diy candidate exp regarding the krell lat systems.. He listened to outstanding system far far better than krell lats why is this so.. he said that he had some 5 years of exp in studyin the makin of audio systems for his taste.

He said that they just sound but dont involve.. but acccordin to the reviews its said an excellent product.

Another practical example is that Harley davidsons bikes are all modified bikes but they kick out all other brands in terms of performance.. why?????

How many of you have perfectly satisfied with your audio systems?
But i have listened that many diys are satisfied alot because they know what they want and what to do in order to get what they want. But im not telling that building speakers is easy task its very tough. Even in my example I am satisfied for the system that ive built. But im building some ultra high end stuff in future for people.

Finally Satisfaction is the most important part in the audio world. If you are not satisfied it will clean sweep your pocket
SUB_BOSS
Gesperrt
#20 erstellt: 03. Jun 2005, 06:29
Sonic master wrote :


Another practical example is that Harley davidsons bikes are all modified bikes but they kick out all other brands in terms of performance.. why?????


What exactly do you mean by a Harley davidsons performance...sorry to all to deviate this topic a lil...but it seems to me it's aleardy gone out of way
square_wave
Inventar
#21 erstellt: 03. Jun 2005, 07:16

roshan schrieb:
Hi All,

Honoring IPR: In the early 1900's the US was the biggest IPR pirate. Most of their Industrial might was built on copied European design's of basic Industrial and textile machinery.

In the sixties and seventies Japan was the IPR pariah. Today both these countires are on the other side of the fence. They produce cutting edge products and design, which in time are copied by their less developed brethren.

Today everybody points fingers at China and India. In about 10-20 years we will be producing all the cutting edge stuff in areas that we lead in today.

So let's not waste tears on IPR issues. Where a country stands depends on it's position in the technological food chain. And the pecking order keeps changing.


Brand's as designers and not manufacturers: As some one pointed out, today major brands are deigners and get their designs built by subcontract manufacturers. As a result basic component R&D and design is done and paid for by component manufacturers. Eg. advances in transformer technology are made by transformer manufacturers and not Audio video companies. The same goes for memory processors, fuel injection pumps, headlamps. So...?
Simply put, these new technologies are available to all buyers and not only to the biggest buyers etc. As a result anyone can make designs using new technologies, even the DIY enthusiast. But there is a time lag,as to when you can get your hands on it, that's all.

Is DIY workable?
Would you fly in a DIY plane? NO, NEVER!!!
Would you drive around a DIY car. NO.
Would you buy a DIY audio system. Perhaps.
Would you wear a DIY shirt. Definitely.

Obviously the issue is not DIY, it is the attribute we look for in a product. Reliability, functionality, esthetics, snob value, sound....etc.

Cost of an equivalent Indian Product:
A Boeing 737 can be made in the US, not in India. ( Read about the 25 year old AJT saga of HAL)
A merc 300SL bult in India cannot cost less than the Rupee equivalent in $ terms.
An Inidan Satellite launched in to space costs 10-15% of it's US and European counterpart.
A shirt manufacured in India has to be a fraction of the cost in the US and should be as cheap as in China.
A plastic bucket can be made in China for 10% of the Indian cost.

Cost of a product is the function of cost of Capital, availability of expertise,sub components, cost of the environment, labor content etc.

So to talk of cost and quality of an High end Audio system we need to consider the following:

Technology: Is it rocket science? No.
Availability of sub components? Indian or foreign(add 5-23%) freely available now.
Is it labor intensive? Since volumes are not high, yes labor intensive.
Is good technical talent available? In plenty.
Does it require huge amounts of capital? Not really.
Is there a large local market? Perhaps not immediately.

Once we consider these questions it becomes, very easy to understand that Hi End Audio can very easily be manufactured and sold in India at a fraction of the prices that are made to shell out today. If an established foreign brand want's to, they can hit the ground running as they already have an established off take.

I don't want to dwell in to the issue of whether Indian techies or designers can come up with good products...look around you, this is a non issue. Where we lack is in the marketing area....that's another debate for another day and another thread....

Roshan.
:prost

Well said. I totally agree with your views.
The core technology technology is available freely or for a cost to anybody who wants to make good audio systems.The question is how brave you are to attempt it if you are a small player in India.Hats off to people who are doing it !
sivat
Stammgast
#22 erstellt: 03. Jun 2005, 07:41

Arj schrieb:


I have not yet developed the confidence in an Indian audio product primarily because I am not sure if we have such a class of audio designer here. hence am willing to pay more for a Brand which I know has it. (I do like Cadence but somehow may never get to buy it due to pure geographical reasons )



Appreciate your views...you are putting your hard earned money and you better be sure of it. At the end of the day we are human beings, driven by our own perceptions and at times - our minds refuses to be rational. This is the fundamental aspect of branding as well....At the same time, there are also many individuals (like manek & square-wave), who are willing to believe Indian products/designers/manufacturers.

Based on my own experise - i have come across many individuals in Bangalore, who are knowledgable both with respect to technology and the house-sound of various hi-end brands (each with more than 10-30 years experience with this hobby). A lot of these people were instrumental in voicing of AP products. These people are well qualified to voice products made in India and i personally think we do have such talent in India, contrary to your belief.

However, as i have already said in one of my earlier post, it is absolutely not wrong to invest in a well-known brand that you are comfortable with...its the individual's priority and taste. You might have a pay a premium, but if your pocket can take it...then what's the issue.

Rearding Mag reviews - I went to a well known shop in London with the intention to purchase Naim 5 CD player that was rated as Sterophile Class A. I heard a AB Comparision of Arcam FMJ (which is Sterophile Class B) and Naim...and Arcam was far superior to my taste and i picked up the Arcam. Reviews might be scientific, but personal taste and emotions (as you had put it), makes it difficult to rely on reviews. I have sold almost all items that i bought blindly by relying on mag reviews, and lost a fortune in that process. Just hope others do not make the same mistake..
Sonic_Master
Stammgast
#23 erstellt: 03. Jun 2005, 08:17
Its all about the way in which you like.... harleys are built acording to their tastes.. isnt it finally they get satisfied... thats wat i mean to say... Performance they give one of the top bhps available...with heavy engine sizes... isnt it?

Everybody understands a word in different sense.. i dont understand how you understood my statements...
SUB_BOSS
Gesperrt
#24 erstellt: 03. Jun 2005, 08:32
sonic master wrote :


Its all about the way in which you like.... harleys are built acording to their tastes.. isnt it finally they get satisfied... thats wat i mean to say... Performance they give one of the top bhps available...with heavy engine sizes... isnt it?


No you are wrong there..heavy engines don't mean heavy horsepower..and heavy horsepower doesn't mean quick acceleration...thers a lot like : power to weight ratio, gear ratios..revvy nature of engine...design of chassis..suspension...so it's a diffrent science altogether...so don't mention em here..coz I will start stomping..I'm not a pro in audio sciences..but in auto I'm one.. off lately there have been too many stupid auto mags and guys consider champs after they read up a test drive of Baleno..C&B international, AI Journal were the mags of yesteryears carry atlest some usefull stuff.......back to :harleys are laziest engines around and just fit for cruising...and performance wise it takes an hour to reach it's top speed......talk about performance..then it's gixxer, ZXr's..yzf's....any of the jap sports 600 will rip a harleys panty in top speed or a 0-60 dash....but this comparo is wrong as both are for entirely diffrent purposes....both are motorcycles..but see the diffrences....ultimately it's the rider who decides what he wants....a 96' 900RR..or a 93' 916 for me...or even a 79' inline six CBX 1100..or a 98'GSX 750..or a 97'ZX9R..or a 90'VFR 400 with cam gear..aaargghh my head hurts


[Beitrag von SUB_BOSS am 03. Jun 2005, 08:44 bearbeitet]
big-ears
Stammgast
#25 erstellt: 03. Jun 2005, 09:21
Hi Square wave,

I don’t think I am missing any of your points. I am having difficulty in agreeing with most of them however.

You say that R&D is of no consequence. I have difficulty in agreeing with that. I believe R&D to be absolutely essential, and because of the R&D efforts undertaken by companies the world over, we are today able to enjoy superior products at lower prices, not only in audio, but in every field.

You keep comparing AVRs to Krell amps. I have difficulty in believing that any body even remotely associated with hifi would ever do that .

You say that technological advances in speakers are reserved only for the “super high end” models. I have difficulty in agreeing with that as I believe that this technology does trickle down to the lower models. I have read quite a few interviews of the designers of advanced products and they surely bolster my belief.

You say that you have not come across a single floorstander under the 1.0 lakh level sounding good. I have difficulty in agreeing with that. There are numerous makes like Acoustic Energy, Athena, Axiom, B&W, Castle, Dynaudio, Energy, Infinity, Mission, Mirage, Polk, Paradigm, PSB, to quote just a few, offering very good products in that price range. I have no argument with the APs sounding good to your ears, however. What sounds good to my ears does not have to appeal to you. The above mentioned brands are all highly appreciated the world over, if one person does not find them appealing, I don’t think that is really consequential.

You say that there is hardly any technology involved in speaker making. I have difficulty in agreeing with that. If that was the case, then why are Dynaudio or B&W, or JM Lab Focal, or Meridian and a few others highly revered in the audio world? If all one required was to borrow a proven design from somebody and get it manufactured at somebody else’s factory, how come we don’t see more of them spewing out of every nook and cranny in India?

You keep knocking Yamaha / Sony on the basis of an isolated instance of some faceless product of theirs not appealing to your ears. I have difficulty in agreeing to that. I believe companies like Sony and Yamaha are giants. They have played a substantial role in the development of consumer electronics in the world and achieved far too much credibility to be scoffed at by an individual like you or me.

You say there is absolutely no advancement in technology in amps. I have difficulty agreeing to that. I believe technological advances over the past 25 years have ensured the availability of better products at more affordable prices. You did agree by saying that good sound has become more affordable now in your last post, but have somehow gone back to your previous stance again.

I could go on and on, however we would just be talking at cross purposes. Point is I don’t think I have derided AP in particular, as I have never come across them in my life. I am speaking about Indian companies in general, and that too from experience. If you like AP to the extent of blocking out all other manufacturers from your life, fine, that is your choice and I can live with that. But don’t expect me to do the same.

Cheers
Arj
Inventar
#26 erstellt: 03. Jun 2005, 09:41

sivat schrieb:

Rearding Mag reviews - I went to a well known shop in London with the intention to purchase Naim 5 CD player that was rated as Sterophile Class A. I heard a AB Comparision of Arcam FMJ (which is Sterophile Class B) and Naim...and Arcam was far superior to my taste and i picked up the Arcam. Reviews might be scientific, but personal taste and emotions (as you had put it), makes it difficult to rely on reviews. I have sold almost all items that i bought blindly by relying on mag reviews, and lost a fortune in that process. Just hope others do not make the same mistake..


Totally agree with you. it would be a great blunder to go by reviews.

But they can help you make your initial analysis.there are too many brands out there and the combinations are infinite. so if you want to put together a system how do you do it ?

Purely going to one dealer and auditioning and buying is a sure spot way of getting into the upgrade cycle.

hence the advantage of reviews and other user opinins (Which can also be very biased). you can make your first cut analysis. and then bring the list down to a manageable set.

I typically always avoid the heavily marketed brands like Musical fidelity or B&W (Every issue of stereophile praises one hence i avoid it..not that it is bad..just that Anthony Michjaelson and Sam tellig get on too well for my liking and my trust !)

But there are always some gems like Art speakers, Sugden, Benchmark, AVI, ATC, Audio Note etc which do not chase reviewers and are not very well covered but do get reviews not just from reviewers but also in forums.

I would have never even heard of them otherwise. These reviews give you an idea of the house sound and strengths and weaknesses which can help you put a first cut list.

after that the only way is to audition to see if it fits into your idea of sound/music.
big-ears
Stammgast
#27 erstellt: 03. Jun 2005, 09:58
I do agree with you there, Arj.

There are so many products available in the market that it is virtually impossible to audition every one prior to buying. Reading reviews from Stereophile, TAS, Soundstage Network and Hifi Choice does aid considerably in giving one a starting point. (In fact, I would give Hifi Choice a healthy amount of credence because there is invariably a panel of listeners doing A/B and blind testing). Then it is entirely up to your ears.

But buying something based entirely upon some reviews, without auditioning? I think we have been too long in this game and so know better....

Cheers


[Beitrag von big-ears am 03. Jun 2005, 10:04 bearbeitet]
Arj
Inventar
#28 erstellt: 03. Jun 2005, 10:14

square_wave schrieb:


The core technology technology is available freely or for a cost to anybody who wants to make good audio systems.The question is how brave you are to attempt it if you are a small player in India.Hats off to people who are doing it !



A statement i could never agree with conceptually.

Copying a technology is going to get you nowhere in the near future.

But it may build a pool of competence to do future R&D and make some breakthroughs later.

I am in full agreement with big ears thoughts on this. it is cos like B&W which thought of isolating the tweeter and usage of Kevlar (Incidentally which trickled down to Wharfedale as well), Focal which managed the Be driver, the KlipschHorn which made a hgh sensitivity horn driven speakers, sonus faber which made the importance of Cabinet design.

Most of the famous brands have done something different in either materials or design and all that is due to R&D

you can only make a clone by copying technology not an original product with a market following.

But if people Are thinking of starting small but making minor innovations to achieve something bigger. then Yes it is a great thing. maybe we may not buy it now but could do it later !

After all in consimer behaviour there are always Innovators (those who try anything new) and then the followers (those who buy things tried and tested).. and for expensive stuff I am a Blatant "follower" consumer !
square_wave
Inventar
#29 erstellt: 03. Jun 2005, 10:17
Yup..I agree with you guys about reviews allowing you to make a first analysis. It is a good starting point. But there is no substitute to actually hearing a product. You may be surprised to find that some highly praised product is not your cup of tea when you hear them. Reviews allow you to make a shortlist. Hearing extensively helps you find what you like.
But opinions of highly respected audiophiles whom you know also help you make a shortlist. That is what I did. The shortlist worked for me…


[Beitrag von square_wave am 03. Jun 2005, 10:18 bearbeitet]
SUB_BOSS
Gesperrt
#30 erstellt: 03. Jun 2005, 10:34
Square wave wrote :


But opinions of highly respected audiophiles whom you know also help you make a shortlist. That is what I did. The shortlist worked for me…


it didn't work for me....the amps they suggested just seem to be the opposite to my taste.So i decided to hell with all and hunt on my own.I didn't disregards their opinion, but respected it..if I don't like fish I don't like it and just can't blame the guy who just ate that and burped praising it's taste..Every person whether a expert or a amateur would bias his opinion towards the brand he likes..if it's coinicidence that I too like the way it sounds...75% battle won...but what if you are at the other end of spectrum...beleive me what combination of components many mentioned would be suicidal...was good for me...to each his own.

Arj wrote :


I am in full agreement with big ears thoughts on this. it is cos like B&W which thought of isolating the tweeter and usage of Kevlar (Incidentally which trickled down to Wharfedale as well), Focal which managed the Be driver, the KlipschHorn which made a hgh sensitivity horn driven speakers, sonus faber which made the importance of Cabinet design.


Nothing comes to life wiithout R&D unless you want to Ctrl C+Ctrl V another design.. ,Any manufacturer worth his name would try to have his product enjoy a seperate slot in the market price notwithstanding and this is possible only due to R&D where with the sense and flavour the designer intends to put the product takes a physical shape on that mould.I agree many feel not many entry or mid-level are too diffrent from one another...but - later on the trickle down technology ensures that benefits of research are passed down to budget level as well.
Frankly speaking most speakers I have heard all had a diffrent tone and sound be it 10k flrs or 50k, So If square wave liked AP then there must've been some flavour in them what Siva has acheived and others couldn't..again it's his R&D..IMHO I think here it's more of a priority of square wave over the choice of voicing of speakers and sound than the brand..cheers to you all



ohh yeah and a smoke too :

puff
puff
puff


[Beitrag von SUB_BOSS am 03. Jun 2005, 10:42 bearbeitet]
square_wave
Inventar
#31 erstellt: 03. Jun 2005, 11:31

SUB_BOSS schrieb:
Square wave wrote :


But opinions of highly respected audiophiles whom you know also help you make a shortlist. That is what I did. The shortlist worked for me…


it didn't work for me....the amps they suggested just seem to be the opposite to my taste.So i decided to hell with all and hunt on my own.I didn't disregards their opinion, but respected it..if I don't like fish I don't like it and just can't blame the guy who just ate that and burped praising it's taste..Every person whether a expert or a amateur would bias his opinion towards the brand he likes..if it's coinicidence that I too like the way it sounds...75% battle won...but what if you are at the other end of spectrum...beleive me what combination of components many mentioned would be suicidal...was good for me...to each his own.

Arj wrote :


I am in full agreement with big ears thoughts on this. it is cos like B&W which thought of isolating the tweeter and usage of Kevlar (Incidentally which trickled down to Wharfedale as well), Focal which managed the Be driver, the KlipschHorn which made a hgh sensitivity horn driven speakers, sonus faber which made the importance of Cabinet design.


Nothing comes to life wiithout R&D unless you want to Ctrl C+Ctrl V another design.. ,Any manufacturer worth his name would try to have his product enjoy a seperate slot in the market price notwithstanding and this is possible only due to R&D where with the sense and flavour the designer intends to put the product takes a physical shape on that mould.I agree many feel not many entry or mid-level are too diffrent from one another...but - later on the trickle down technology ensures that benefits of research are passed down to budget level as well.
Frankly speaking most speakers I have heard all had a diffrent tone and sound be it 10k flrs or 50k, So If square wave liked AP then there must've been some flavour in them what Siva has acheived and others couldn't..again it's his R&D..IMHO I think here it's more of a priority of square wave over the choice of voicing of speakers and sound than the brand..cheers to you all



ohh yeah and a smoke too :

puff
puff
puff

That is exactly what I was saying. Opinions or reviews will only get you shortlists.You need to listen and see if you like them or not.But
my limited experience with some seasoned audiophiles tells me that all audiophiles will like and respect good quality, high-resolution
designs.Then the question of voicing and personal preferences take over.That is what swings the vote.Even with high resolution designs,
all speakers do not sound the same.They all have their own house sound. Some like proacs, some like dynaudio,sonus faber etc...depending
on their personal preferences and taste in music.

One more very important thing.
Hearing different speakers in different environments driven by different electronics will tell you nothing. You need to do A/B comparisons
in the same room with the same electronics.
Arj
Inventar
#32 erstellt: 03. Jun 2005, 11:49

square_wave schrieb:

One more very important thing.
Hearing different speakers in different environments driven by different electronics will tell you nothing. You need to do A/B comparisons
in the same room with the same electronics.


That definitely is the Ideal scenario..but practically impossible unless dealers allow home demo...

that is where the nearby friendly dealer is so important !
SUB_BOSS
Gesperrt
#33 erstellt: 03. Jun 2005, 12:03
square wave wrote :


Hearing different speakers in different environments driven by different electronics will tell you nothing. You need to do A/B comparisons
in the same room with the same electronics.


This is quite impossible here in India...so some reviews, suggestions, audition etc etc all play 80% role in deciding on the component we plan to purchase...and
rest of drive which will build up within you once you decided to pick it up will cover up 10%....and lastly the other 10% personal bias where you are convinced that your purchase has been justified by satisfying your taste...thats what I call a 100% satisfying purchase.Its always you like the sound first and then the brand wins your heart and not the other way like if it's B&W then it must be good and you convince yourself that thats how a good speaker sounds.Of course for that by and large people have to come out of preset brand priorities and try all whats available within their budget and I'm sure they will end up with what they started out looking for and ofcourse much wiser.

So far as comparision of Indian and foreign brands I still feel we are not marching ahead to rub shoulders with big giants like Dynaudio or paradigm..coz they have a history of producing excellent products due to their continous R&D,refinement,tech advancements.It's not prevailant in India here. No auto industry even after so many years dared to have inhouse complete R&D here,,eventhough we have the brains, raw materials,money....We always borrow obsolete technology. Most models of cars available are released simultaneously in international market or we follow em maybe in a couple of years..Parts freely available internationally is a good sign..but what do we do..stuff it up our as*.....For nstance...high lift cams,twin carbs,racing manifolds are available here..but who's competent enough to tell us what are the actual benefits or how would it affect the performance of a car on street or race track...the guy who owns a garage will fix it up and find out it's worthy if your engine doesn't blow up.
abhi.pani
Inventar
#34 erstellt: 03. Jun 2005, 12:50
Arj, Roshan, square-wave and big-ears,

All this time I have been following your interesting posts in this thread.....

I will try to put it more concisely,

Arj says, Audio is much more about design than technology. For the same we need proper audiophiles in the process of manufacturing. Mostly it doesnt happen. i.e Most of the audio manufacturers are not audiophiles themselves.

Square-wave and Roshan says, Today the technology and equipments are available right at the door-step so producing high-quality audio equipments should not be a problem. Design is freely available, which means it can be borrowed.

Big-ears says, R&D and innovation is the driver for high quality audio products.

Siva says, There are quite a few audiophiles in our country also so it is possible to manufacture audiophile grade stuffs even in our country e.g AP.

Everyone putting the right foot forward in their own respect, I still feel Arj has the pivotal point which if answered, would resolve this discussion to a great extent.

It is well known that even though we have quite a few audiophiles in our country, most of them are not involved in Audio design and manufacture process. Ours being a developing country, most of the people dont have the luxury to do what they like. Population is overflowing and jobs are few so most of us tend to take the safer way to earn our living (some public sector jobs or IT etc).

On the contrary MOST of the people who are actually involved in Audio Manufacture in India are again just businessmen and not an audiophile.

This cannot be denied and is very generalised.

People like Siva are exceptionals and should be treated as exceptionals. One cannot give his example to prove the accomplishments of such a big nation like India.
SUB_BOSS
Gesperrt
#35 erstellt: 03. Jun 2005, 13:10
Abhi Pani wrote :


People like Siva are exceptionals and should be treated as exceptionals. One cannot give his example to prove the accomplishments of such a big nation like India.


of course Siva might be an exception..but any discussion always follows more in general...yup I agree there is an exception for every rule but discussing about exceptions and not general stuff is a sheer waste of time.So Abhi as you pointed out it's another business for guys here than hobby.
square_wave
Inventar
#36 erstellt: 03. Jun 2005, 13:11
[/quote]

- [b]later on the trickle down technology ensures that benefits of research are passed down to budget level as well.
[/quote]

About trickle down technology...
It is true that B&W Nautilus comes with a tube loaded isolated tweeter.This technoogy has been copied and used by lot of companies in their cheaper designs. I personally think this is just marketing hype to con the public.There is much more to the orginal nautilus tube loaded tweeter than just placing a cheap driver in a cheap plastic housing and sticking it on top of a cabinet.Good sound is achieved by a lot of very high quality components working in tandem.There is a host of technology which starts from the cabinet design to the crossover to the very high quality and expensive nautilus tweeter that gives you the nautilus sound.The precision and qualiy control required to achieve this is very expensive.That is possible only at high-end where cost is not of much concern.There are a lot of compromises in the budget and mid-end speakers.This is not going to be solved just by using a similar looking but cheaper tweeter in the budget design by the same company.They will tell you that this is trickle down technology but I doubt you will be gaining much.

I am very friendly with with a sound engineer in my home town. He has been using a pair of ancient ATC monitors for recording. He recently bought a pair of B&W dm 602 S3 for his home use. It is supposed to be using the nautilus tweeter technology. But this speaker's high frequencies can't hold a candle to the 10 year old ATC monitor which uses a very high quality but expensive normal dome tweeter. So, where are we ?? You may be able to improve the budget speaker by a fraction by usign trickle down technology but it is no big deal as there lot of other big nasties built into a budget speaker which takes out the fun anyway !
SUB_BOSS
Gesperrt
#37 erstellt: 03. Jun 2005, 13:19
Square wave wrote :


You may be able to improve the budget speaker by a fraction by usign trickle down technology but it is no big deal as there lot of other big nasties built into a budget speaker which takes out the fun anyway !



hahahahahahaha...this looks like a lion replaced by a cat..both from same family but world's apart....Thats very true when you mentioned highend can always give you components what low end can ape with cheap plastic....it holds true in some cases..
Manek
Inventar
#38 erstellt: 03. Jun 2005, 13:21
Sub Boss....

Times are changing in India too. I've heard of a few progressive dealers atleast in west of India who are doing home demos and for free !

So its only time until dealers all over take this cue to further their business.

R&D is definately important in any field and also audio. Indian Speaker manufacturers like Cadence do indulge in it. I'm sure others like AP do too. Cadence I know for a fact does it, otherwise they would not have technology submitted for patenting or have patents to their name. They would not have come up with an electrostatic panel which is quite different from the others in the market with unique qualities like moisture resistance, anti-arcing design etc....etc... Same goes for Rethm, they have done extensive research on cabinet construction and lowther driver improvement which is apparent when you see and hear the products. I'm sure Viren from lyrita audio has done a lot of R&D himself to bring out the products he does.

The point of high quality material available to make speakers was put forth. Yes just putting high quality components together does not make a speaker good. You have to do R&D to tweak it to perform to the specs laid down. Notable example are Cadence and Rethm again.

Every speaker manufacturer has to do some sort of R&D to be successfull, either inhouse or outsourced. There is no escape. The scale of it depends on the scale of the operations.

Again, I do state that just becuase a speaker manufacturer is small and the R&D dollars put in are not upto scale of the larger manufacturers, it does not mean that R&D done is not sufficient. Small manufacturers have lesser no of product lines but the R&D done to keep those products competative is very intensive. They key is quality over quantity of R&D. Someone mentioned manufacturers like living voice, green mountain etc...small companies but great speakers and probably better than the big names.

Manek.
square_wave
Inventar
#39 erstellt: 03. Jun 2005, 13:38
There are only very few companies like Seas, focal, jm lab, b&w, DST, dynaudio etc...who do research in core technology.All the rest including some reputed names just borrow their drivers. Then comes design which you can do yourself or outsource. Companies like paradigm uses the canadian facility called the NRC which is funded and subsidised by the canadian govt itelf. So basically paradigm neither makes their own drivers nor do they have their own design facility. I guess the voicing of the speakers and production are what they do.Correct me if I am wrong. So that means if you have the ability to voice and produce, anybody with the right intentions and knowledge can make good speakers in India or abroad.
Manek
Inventar
#40 erstellt: 03. Jun 2005, 14:35
squarewave,

Not anybody...never anybody....

The NRC has anachoic chambers and measuring equipment which it lets many speaker manufacturers use besides paradigm. PSB, mirage, energy are other names and many more. Does that mean these companies dont do R&D ? Sure they do....they just do it at another facility not owed by them.

One needs these tools and facilities to make a good speakers. One may have it inhouse or one may outsource, nevertheless one is doing R&D ! In todays day and age one does not have to have these facilities inhouse. And just becuase paradigm does not have these facilities inhouse, it does not mean its not doing enough R&D. There are a lot of speaker manufacturers who do R&D in conjunction with driver manufacturers.

R&D on speakers is just not driver technology..its also crossovers, cabinet construction and materials, damping, bracing techniques, driver loading, isolation techniques, driver tweaking etc...and amalgamation of all of them in the right amounts to get your speaker to sound good given the budgets.

Yes in todays day and age there will be a few vendors which manufacture drivers and invest in research. Not all speaker manufacturers buy these drivers in stock condition or in your words "borrow". They are used in modified form also, modified either by the manufacturer who makes them to speaker manufacturer specs or by the speaker manufacturer themselves. Either way that is still R&D !

Manek.
big-ears
Stammgast
#41 erstellt: 03. Jun 2005, 16:32

square_wave schrieb:
There are only very few companies like Seas, focal, jm lab, b&w, DST, dynaudio etc...who do research in core technology.All the rest including some reputed names just borrow their drivers. Then comes design which you can do yourself or outsource. Companies like paradigm uses the canadian facility called the NRC which is funded and subsidised by the canadian govt itelf. So basically paradigm neither makes their own drivers nor do they have their own design facility. I guess the voicing of the speakers and production are what they do.Correct me if I am wrong. So that means if you have the ability to voice and produce, anybody with the right intentions and knowledge can make good speakers in India or abroad.


Hi Square wave,

Boy, but are you wrong about Paradigm!

Read any review about Paradigm and you will find the reviewer commending Paradigm on their policy of making every thing and I mean everything themselves. Not only the drivers but even the dies required for the drivers, etc, etc. Paradigm did use the NRC facilities for some length of time, but they now have teir own huge anechoic chamber plus an extensive research lab which is highly talked about in the audio world.

Pardon me for being so blunt but boy, you do have a lot of reading to do! And not AV Mag, for God's sake!

Cheers


[Beitrag von big-ears am 04. Jun 2005, 04:35 bearbeitet]
Sonic_Master
Stammgast
#42 erstellt: 03. Jun 2005, 19:15
I have seen many big names are using drivers which are not midified. They are just getting the drivers from OEMs. Very few like wilsons midbass in alexandria x2 and even from proacs use to modifiy the driver but over 90% put the same thing which is available at OEMs.
Arj
Inventar
#43 erstellt: 03. Jun 2005, 19:18
Well.. if your objective is to argue on this I will not even comment on this as it will get into a senseles discussion.

if it is to learn and share a point of view you can read the below or else just ignore it.

please check up on the 705 series..that is trickle down.(the point on cheap plastic is actually rather silly ). even Kevlar drivers were trickle down to the old CM series

or try to learn about triangles Magellan speakers and how the waveguide is used in the entry level line

Or about Kevlar drivers

I sincerely hope your personal view on the marketing hype on B&W view is kept personal as there are quite a few audiophile whose knowledge I rate quite well who feel it does add value

I mean all this while we were talking about technology just being a tool and the design and the voicing as the important elements and you get back to just the same point again !

And if your friend actually compared an ATC monitor to an entry level B&W meant for HT (It is voiced for entry level) and expected them to be comparable.. i do not even want to go further.

The DM series is meant to be coupled with budget electronics and so is its voicing. if it were made to sound different, its target audience would never buy it !!


square_wave schrieb:

About trickle down technology...
It is true that B&W Nautilus comes with a tube loaded isolated tweeter.This technoogy has been copied and used by lot of companies in their cheaper designs. I personally think this is just marketing hype to con the public.There is much more to the orginal nautilus tube loaded tweeter than just placing a cheap driver in a cheap plastic housing and sticking it on top of a cabinet.Good sound is achieved by a lot of very high quality components working in tandem.There is a host of technology which starts from the cabinet design to the crossover to the very high quality and expensive nautilus tweeter that gives you the nautilus sound.The precision and qualiy control required to achieve this is very expensive.That is possible only at high-end where cost is not of much concern.There are a lot of compromises in the budget and mid-end speakers.This is not going to be solved just by using a similar looking but cheaper tweeter in the budget design by the same company.They will tell you that this is trickle down technology but I doubt you will be gaining much.

I am very friendly with with a sound engineer in my home town. He has been using a pair of ancient ATC monitors for recording. He recently bought a pair of B&W dm 602 S3 for his home use. It is supposed to be using the nautilus tweeter technology. But this speaker's high frequencies can't hold a candle to the 10 year old ATC monitor which uses a very high quality but expensive normal dome tweeter. So, where are we ?? You may be able to improve the budget speaker by a fraction by usign trickle down technology but it is no big deal as there lot of other big nasties built into a budget speaker which takes out the fun anyway !
Arj
Inventar
#44 erstellt: 03. Jun 2005, 19:29

square_wave schrieb:
There are only very few companies like Seas, focal, jm lab, b&w, DST, dynaudio etc...who do research in core technology.All the rest including some reputed names just borrow their drivers. Then comes design which you can do yourself or outsource. Companies like paradigm uses the canadian facility called the NRC which is funded and subsidised by the canadian govt itelf. So basically paradigm neither makes their own drivers nor do they have their own design facility. I guess the voicing of the speakers and production are what they do.Correct me if I am wrong. So that means if you have the ability to voice and produce, anybody with the right intentions and knowledge can make good speakers in India or abroad.


that is quite an 'Unread' and Non Knowledgeable statement to make !

Klipsch, Theil, PMC, Proac, Infinity,JBL,Revel, Living Voice and many many many others...all get their driver made by some manufacturers BUT TO THEIR SPECIFICATIONS .
they do the basic research and decide on the parameters and get their drivers made. for that you need to do R&D.

They do NOT buy stadard products and then design their speakers. that is left for the Sonys / Kenwoods and the cloners of the world.

Please do not make uninformed statements. we are not here to argue but to learn something


[Beitrag von Arj am 03. Jun 2005, 19:38 bearbeitet]
Arj
Inventar
#45 erstellt: 03. Jun 2005, 19:33

Sonic_Master schrieb:
I have seen many big names are using drivers which are not midified. They are just getting the drivers from OEMs. Very few like wilsons midbass in alexandria x2 and even from proacs use to modifiy the driver but over 90% put the same thing which is available at OEMs.


they used to use focal drivers (Again customised to their specifications) but focal have stopped contract manufacturing as a strategy and hence Wilsons have finalised with someone else . but they provide the parameters for manufacturing
Arj
Inventar
#46 erstellt: 03. Jun 2005, 19:35

Manek schrieb:

R&D on speakers is just not driver technology..its also crossovers, cabinet construction and materials, damping, bracing techniques, driver loading, isolation techniques, driver tweaking etc...and amalgamation of all of them in the right amounts to get your speaker to sound good given the budgets.


How true.
Perhaps the most difficult is the actual shape and size of the cabinet
jsa_ind
Stammgast
#47 erstellt: 04. Jun 2005, 00:06
Hi All,

I cannot help comparing all our discussions to woodworking...please allow me the liberty to illustrate

Today we have the choice:

To buy imported factory built, furniture from a retail showroom.

To buy Indian factory finished, export furniture from a retail showroom

To buy Indian factory finished furniture that is only locally sold.

To buy an imported DIY kit and assemble it yourself

To buy an imported DIY kit that has been assembled by someone else

Have a local carpenter with hand tools or you yourself build the furniture


Who would you choose ?

A retail showroom that rips you off with exaggerated prices, but who sells you quality furniture built by a reputed company with a complete woodworking facility & R&D to come up with innovative techniques of joinery & material application ?

A retail showroom that sells exported Indian furniture at a competitive price, using a blend of Indian & foreign components with specifications & regulations, that look very appealing & has functionality

A retail showroom that sells Indian furniture at a competitive price, using Indian components that have no specifications & regulations, that look very appealing but fall apart after a few years, even though they ape the foreign furniture ?

Assemble a DIY kit yourself with whatever hand tools you can lay your hands to.

Not wanting to get into the hassle of assembling, but getting someone else to do it for you, who has the minimum of tools & resources but claims that his furniture is comparable to the mid end furniture, where one would have to pay a lot more for

Grab some wood & let the engineering & artistic side of you take over, using some knowledge you gathered from your school days and build your own furniture yourself or get a local carpenter to put it together and say hey this is so good I will sell it to the world.

If one were to ponder on the above, you will see the picture I am attempting to paint with respect to audio in today's Indian market


For the Indian customer you known the best thing that could happen would be :-

That the foreign distributors drop they fat margins and look at promoting audio from an audiophile point of view rather then looking at it only from a commercial point of view.

This would force the Indian manufacturers to step up their quality control, use better components, give better value for money...example there are drivers that could be put in of a better specification & tighter tolerance for the same amount of monies paid for, the same can be said about transistors, resistors capacitors etc...). Also there need to emulate their foreign counterparts by publishing detailed specifications from reputed test gear equipment rather then adopting a Bose like philosophy of saying that specifications are inconsequential & all depends upon your ears ! Yes listening is important and a reference to go by, but is not the only reference, much the same that reviews are not the only guiding force in ones choice for any individual component.

We need to ask ourselves these questions:

Whom am I most comfortable with ?

A foreign company that invests in R& D, has got a reputation worldwide, publishes technical specifications with test gear rented/leased or in-house and has a good pedigree

An Indian company that invests in R& D, has got a reputation worldwide, publishes technical specifications with test gear rented/leased or in-house and has a good pedigree

An Indian company that buys bits & pieces from here and there, has no test equipment, no technical specifications, no international standards to go by only depends upon listening tests and has no reputation world wide but a bunch of well meaning followers, who may or maynot be qualified to make any evaluations

Assemble a DIY kit yourself forget about the world and just enjoy the fruits of your labor.

Buy a DIY or home brewed piece of equipment and say well hooch is better then the regular stuff who care about tomorrow, I have got it cheap & it gives me one hell of a kick.

Last but not least, different companies have drivers built exactly to their specifications as Arj has pointed out. I have visited factories of Focal & Dynaudio and have seen how batches are prepared exactly for any one customer. ONLY companies that can leverage a clout with any speaker manufacturer in terms of monies or volumes can get exactly what they want. Unless a DIY company is the size of Part's Express or Speaker City can they leverage enough clout to get speakers that are equivalent in their T/S specifications from any manufacturer. Which really leaves me wondering, if the local Indian manufacturers really compensate these deficiencies in their one off creations, or do they just blindly stick everything together and tout that they are the best ?

It would be really very interesting to come up with various unbiased tests ( waterfalls plots, polar responses, ringing time, slew rate ect...) with the wide variety of products available in India....only then would the true picture emerge of how good or bad they are after the results are held side by side to an A/B comparison of similar speced products.

Regards,

Junia.
sivat
Stammgast
#48 erstellt: 04. Jun 2005, 06:07

jsa_ind schrieb:
Unless a DIY company is the size of Part's Express or Speaker City can they leverage enough clout to get speakers that are equivalent in their T/S specifications from any manufacturer. Which really leaves me wondering, if the local Indian manufacturers really compensate these deficiencies in their one off creations, or do they just blindly stick everything together and tout that they are the best ?\Junia.


If only big companies can get good materials from Pricipals, Then i think i should stop buying from local importers - importing amps against each order. I whould be more reliable to import the amp from big time sellers such as Seven Oaks, Grahams, etc.,

Okay let me Restrict the discussion to parts; If this is a general trend in business, then does indian electronic dealers get second-rate components from thier principals, just bcos they are not the size of RS-component. Guess these principles are idiotic enough not to worry about thier own brand name..

Or i wonder Whether Mr. Junia is going to argue that this trend is restricted only to louspeaker parts ??

FYI.. Corrson does more volume than some of the hi-end brands being discussed here - in terms of drivers. So assuming that Indian dealers are treated badly is absured. We have visited this discussion in the past...leaving a bad taste.

Arj,

Let's be rational here...Sony and Kenwood does not use drivers from the driver manufacturer we are talking here. If a driver-X is standard, then companies like LV, gets it modified to suite thier integration need. However, they do not drive the very basic R&D on the driver-X. More Important - this does not mean the the standard driver-X is bad in comparision to the modified version. It is also true that many manufacturer use standard models .. without any custom modifications. If you need more info with examples...call me at 98455-17730, as this cannot be discussed here.


Manek,

Agree with you on R&D; Also you should note the complexity/significance of a manufacturing process is delivering products that are technically perfect.

This is where the difference between branded products and DIY products (clones using known R&D results) starts to show up. But is the difference between the two justified by the price difference...it is for individual's to take the call...based on thier own priorities. If you are ready to compromise on technical perfection and want value for money...DIY is still a good option.

Cheers
Siva.
big-ears
Stammgast
#49 erstellt: 04. Jun 2005, 10:11
Hi Siva,

This is not to target you or your products at all, and I am not indulging in the slightest bit of hypocrisy when I speak of the poor quality of Indian products in general. But I surely do have a right to voice my criticism when I see poor quality, after all it is my money that the producer of inferior products is targeting, and I believe I do have a right to tell him off.

Let us get our facts straight and not look at all Indian products through rose coloured glasses. I have been living in the UAE for a number of years now and prior to that ran my own tool room facility in Bombay for over a decade, manufacturing light engineering parts for small to medium sized engineering companies there. Now UAE hardly has any manufacturing activities to speak about and practically all engineering/consumer goods required are sourced from all over the world, resulting in some really good stuff lining the shelves here. Seeing the disparity in prices, I have visited several large distributors here with a view to market Indian products from the small to mid size companies I was dealing with, only to meet with a grimace and a shake of the head. Practically all the procurement people in these outfits, a majority of them Indians, have regretted their inability to keep Indian lines because of their experience with lack of quality. Sure, some of the reputable names, like Tata and others have built up a standing here, but by and large, the small to mid sized manufacturers indulging in cutting corners have not succeeded.

Regarding your views on mag reviews, well, anybody with a little experience in hifi knows that reviews can only be a starting point. But look at it from this angle. Because you read the reviews, at least you were guided to the top of the heap, namely Naim and Arcam, right at the beginning. If there had been no reviews available, then you would have first bought XYZ product, found it not good enough, sold it for a loss, graduated to LMN product found it not upto your standards, sold it for a loss....and so on. You could still be floundering about, not having reached the Arcam level till date, and lost a lot more money in the process……

Sadly, because of the policy followed by our leaders for a number of years, we in India never had any access to top quality products. We were made to do with what our manufacturers produced, under the false belief that it was the best available. Our manufacturers knew they had a captive market and thus there was no need to invest in R&D to give better products to us, the consumers. A fraction of the money could be used to grease the palms of the leaders to ensure the Licence Raj continued and they could laugh all the way to the bank. Today things are different. It is good to see the average Indian finding out there is something called quality available for his hard earned money, and he has every right to it.

Cheers
Neutral
Stammgast
#50 erstellt: 04. Jun 2005, 12:27
Hi Junia,

I'm glad that you 'hijacked' my post. This is one of the most interesting and complex discussions I have seen since I joined the forum. Unfortunately I am not an engineer and can't comment on the QC of Indian components.

The average Joe, like me, has to rely a lot on magazine reviews to get info on the audio market. I have purchased a good many copies of AV Max. Tell me how reliable are they as a source of authentic information. I know that they do not have any testing facilities or anechoic chambers. So they just publish the specs given by the manufacturers (often bogus in the case of AV receivers). But are their reviews reliable?

When I made my purchase, I did listening test of various brands to find out the models I like. A problem, as one of you has already pointed out, is that the listening rooms are different, and so is the partnering electronics. This makes comparisons both tough and inaccurate. Which Mumbai dealers would provide home-demos of inexpensive components?

I would also suggest that the different opinions you people have mentioned of different components could be a function of the type of music you listen to. For example, I listen to Dido, Knopfler, and Jagjit Singh. If the same speaker and amp were tested on trance music or heavy metal, most would sound very different. It's actually a matter of meeting your tastes, rather than being good or bad in an absolute sense.

I have noticed that Lithos puts considerable effort into cabinet making thus making the structure rigid. This coupled with crossover design gives it an edge over another mass-market manufacturer using the same drivers. As long as you aren't aiming for the very top end, you might be able to get away without using custom-made drivers.

Siva, can Acoustic Portrait be auditioned in Bombay. Preferably close to Bandra. I am keen to find out for myself if Indians can compete at the high-end (I know they are competitive at low to mid ends).
big-ears
Stammgast
#51 erstellt: 04. Jun 2005, 19:27
Hi Neutral,

Just trying to get an idea about your likes/dislikes.

Have you heard the NAD 320BEE, and if yes, how was it different from the Lithos? Also, the Lithos is available for about 10K, isn't it?

Cheers

PS, amendment

I am sorry, I confused Pulz with Lithos! Swamped with work#!*#!*.

Lithos makes speakers and Pulz makes amps, I think.

Anyway, point is the NAD 320BEE is a very well regarded amp universally, and on the shortlist of any budget conscious amp seeker. Have you heard it and how would you rate it vis-a-vis a Rs 10K Pulz?

Cheers


[Beitrag von big-ears am 05. Jun 2005, 06:00 bearbeitet]
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